In the obscurity in which it was now seen, it looked like a prison, and, indeed, it was Jonathan's fancy to make it resemble one as much as possible. “That’s suicidal bullshit, Lucy. All sorts of battered tramps, junks and riff-raff of the seas trailed in and out. Eventually her movements carried her to the little stand at the side of the bed. And it hampers us. This is where my character, Lucia, is coming from.
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