The metrical irregularity is intentional, because I want, as it were, to put you apart: to change the lilt and the mood altogether when I speak of you. But there was only Gosse, still struggling with the picture, looking dazedly towards Melusine and the lad he had shot, then away towards the sounds of pursuit, and back again. “But I—I went to Nigel Ennison for help. But on arriving in the tattered saloon where he and Melusine had hidden, a shock awaited Gerald.
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