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“We’re in for it. I begin to understand Jane Austen and chintz covers and decency and refinement and all the rest of it. A hush descended across the audience as instruments tuned, creating small ladders of fifths that collapsed abruptly, snatches of solos that disappeared and reappeared like gags in a house of mirrors. Brendon was silent. ‘He prayeth best who loveth best—all things both great and small.
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