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The door opened, and a slightly overweight pretty blonde, an older, wiser version of Michelle, came into view. It had her raven locks, her pouting lips. Her fanciful imagination no longer drew pictures of the aunt in the doorway of a wooden house, her arms extended in welcome. The other photo was a picture from 1926 subtitled Lucia Iovelli where you were holding a violin at a music recital! Then I found another picture of you, but this time it was a painting. They've paid for their lodging. A man's laced hat,—whether adopted from the caprice of the moment, or habitually worn, we are unable to state,—cocked knowingly on her head, harmonized with her masculine appearance.
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