She also knew that he was the type who would not make a single physical overture until she pushed the correct buttons. It was one of the most educational disillusionments in Ann Veronica’s career. Not far from the entrance, on the left, was a sort of screen, or partition-wall, reaching from the floor to the ceiling, formed of thick oaken planks riveted together by iron bolts, and studded with broad-headed nails.
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