The benches running round the room, though fastened to the walls by iron clamps, had been forcibly wrenched off; while the table, which was similarly secured to the boards, was upset, and its contents—bottles, jugs, glasses, and bowls were broken and scattered about in all directions. ’ Melusine could not suppress a smile. I want to make my own selection. A siphon and a whisky bottle stood before him. He was always word-building, a metaphorist, lavish with singing adjectives; but often he built in confusion because it was difficult to describe something beautiful in a new yet simple way. This Joan would hold them for a little. ’ ‘But—’ ‘You’ll get her all over blood again. ’ Melusine’s voice petered out. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare.
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