E. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. He had absorbed her in a single glance, and was now defining her as he worked. ‘I suppose he isn’t this Leonardo you spoke of?’ ‘Certainly he is not Leonardo. The order was promptly obeyed, and the horses proceeded at a furious pace along the Edgeware Road.
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